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years," says Gregory to the emperor, "we have tasted the annual comfort of your royal letters, subscribed in purple ink, with your own hand, the sacred pledges of your attachment to the orthodox creed of our fathers. How deplorable is the change! how tremendous the scandal! You now accuse the Catholics of idolatry; and, by the accusation, you betray your own impiety and ignorance. To this ignorance we are compelled to adapt the grossness of our style and arguments: the first elements of holy letters are sufficient for your confusion; and were you to enter a grammar-school, and avow yourself the enemy of our worship, the simple and pious children would be provoked to cast their horn-books at your head." After this decent salutation, the pope attempts the usual distinction between the idols of antiquity and the Christian images. The former were the fanciful representations of phantoms or dæmons, at a time when the true God had not manifested his person in any visible likeness. The latter are the genuine forms of Christ, his mother, and his saints, who had approved, by a crowd of miracles, the innocence and merit of this relative worship. He must indeed have trusted to the ignorance of Leo, since he could assert the perpetual use of images, from the apostolic age, and their venerable presence in the six synods of the Catholic church. A more specious argument is drawn from present possession and recent practice the harmony of the Christian world supersedes the demand of a general council; and Gregory frankly confesses, than such assemblies can only be useful under the reign of an orthodox prince. To the impudent and inhuman Leo, more guilty than a heretic, he recommends peace, silence, and implicit obedience to his spiritual guides of Constantinople and Rome. The limits of civil and ecclesiastical powers are defined by the pontiff. To the former he