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plates of silver. In the beginning of each season, the basin, instead of water, was replenished with the most exquisite fruits, which were abandoned to the populace for the entertainment of the prince. He enjoyed this tumultuous spectacle from a throne resplendent with gold and gems, which was raised by a marble staircase to the height of a lofty terrace. Below the throne were seated the officers of his guards, the magistrates, the chiefs of the factions of the circus; the inferior steps were occupied by the people, and the place below was covered with troops of dancers, singers, and pantomimes. The square was surrounded by the hall of justice, the arsenal, and the various offices of business and pleasure; and the _purple_ chamber was named from the annual distribution of robes of scarlet and purple by the hand of the empress herself. The long series of the apartments was adapted to the seasons, and decorated with marble and porphyry, with painting, sculpture, and mosaics, with a profusion of gold, silver, and precious stones. His fanciful magnificence employed the skill and patience of such artists as the times could afford: but the taste of Athens would have despised their frivolous and costly labors; a golden tree, with its leaves and branches, which sheltered a multitude of birds warbling their artificial notes, and two lions of massy gold, and of natural size, who looked and roared like their brethren of the forest. The successors of Theophilus, of the Basilian and Comnenian dynasties, were not less ambitious of leaving some memorial of their residence; and the portion of the palace most splendid and august was dignified with the title of the golden _triclinium_. With becoming modesty, the rich and noble Greeks aspired to imitate their sovereign, and when they passed through the streets on horseback, in their robes of silk and embroidery, they were mistaken by

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