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animals and plants as effects of sin, which prevailed with so much force from St. Augustine to Wesley, was developed into nobler form during the century by various thinkers, and especially by Archdeacon Paley, whose Natural Theology exercised a powerful influence down to recent times. The same tendency appeared in other countries, though various philosophers showed weak points in the argument, and Goethe made sport of it in a noted verse, praising the forethought of the Creator in foreordaining the cork tree to furnish stoppers for wine-bottles. Shortly before the middle of the nineteenth century the main movement culminated in the Bridgewater Treatises. Pursuant to the will of the eighth Earl of Bridgewater, the President of the Royal Society selected eight persons, each to receive a thousand pounds sterling for writing and publishing a treatise on the "power, wisdom, and goodness of God, as manifested in the creation." Of these, the leading essays in regard to animated Nature were those of Thomas Chalmers, on The Adaptation of External Nature to the Moral and Intellectual Condition of Man; of Sir Charles Bell, on The Hand as evincing Design; of Roget, on Animal and Vegetable Physiology with reference to Natural Theology; and of Kirby, on The Habits and Instincts of Animals with reference to Natural Theology. Besides these there were treatises by Whewell, Buckland, Kidd, and Prout. The work was well done. It was a marked advance on all that had appeared before, in matter, method, and spirit. Looking back upon it now we can see that it was provisional, but that it was none the less fruitful in truth, and we may well remember Darwin's remark on the stimulating effect of mistaken THEORIES, as compared with the sterilizing effect of mistaken OBSERVATIONS: mistaken observations lead